Cinematic Techniques Presentation
Database & Narrative - October 4, 2010
Presented by:

Amelia Noyes


Sarah McNabb

 
Backstory of Clip:

The film centers on a cocaine distributor played by Daniel Craig. His character is deliberately unnamed throughout the film, but is listed in the credits as "XXXX".

XXXX has established a successful business in London buying, cutting, and selling cocaine while avoiding the gangster behavior associated with drug dealing. The story is entwined with other groups of gangsters.

In this scene:

XXXX's long-time associate, Morty, is an ex con who was just released from prison after 10 years. The man who sits eating breakfast across the table is Freddy Hurst, a fat and slovenly ex-gangster who is down on his luck -- and just so happens to be the guy that Morty had taken the fall for before he got sent to prison. Freddy is unapologetic for what happened to Morty.

 

 
 
Layer Cake (2004) - Directed by Matthew Vaughn (of "Lock, Stock, and Two Smoking Barrels" fame)

Overview:
In our single 3:06 clip, we found over 20 techniques as described in Van Sijll's book:
Technique Name
Type
Time In Clip Where Technique Occurs
Van Sijll
Page #
Applicable to 5-Photo Story
1
Screen Direction
2:30
 6
X
2
Screen Direction
1:11
 10
X
3
Frame Composition
0:29, 2:47
 24
X
4
Editing
1:20, 1:24
 56
X
5
Scene Transition
2:06 – 2:07
 124
X
6
Scene Transition
0:07 - 0:08 - 0:09
 130
X
7
Camera Lenses
2:30
 134
X
8
Camera Position
0:08
 148
X
9
Camera Position
0:02
 150
X
10
Camera Position
1:22 – 1:27
 156-158
X
11
Camera Position
1:00
 162
X
12
Lighting
2:35 – 2:44
 196
X
13
Props
0:09, 1:52
 216
X
14
Wardrobe
0:04, 1:08
 228
X
15
Location
1:07, 1:39
 236
X
16
Camera Motion
2:02 – 2:05
 182
X
17
Camera Motion
1:41 – 1:44, 3:00 – 3:06
 178
 
18
Scene Transition
0:00 – 2:15
 116
 
19
Music
0:00 – 2:22
 104
 
20
Music
0:00-3:06
 102
 
21
Film Element
2:17 - 2:27
180
.
= Focus Point
  = Does not apply to 5-photo story

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We Focus on 3 Cinematic Techniques Applicable to the 5-Photo Story


Balance and imbalance are graphic devices which can reveal the internal and external world of the characters. By assigning each character a “place in the frame” and mimicking its symmetry, it is easy for the audience to know the identity of the characters and the nature of their relationship.

Balance conveys:

  • Internal vs external world of characters
  • Continuity
  • Visual unity- Set up as a pair or equalizing a relationship
  • Height, Size, orientation, and expression play a major role
  • Often used in doses

As seen in the Layer Cake clip

The use of mirrors is also a way to create symmetry in a frame.

Genres that tend to use Balance:

All of them. Balance is a universal element native to all genres.

Examples in class 5-photo stories

As seen in jandruka's Life As a Coke Bottle (photos 3-4)

Symmetry suggests harmony and peace.

As seen in mardel1810's One Tasty Meal (photos 1,3 and 5)

The tone of collective togetherness in this meal is conveyed through close proximity and balance of the items.


Class Discussion:

Can anyone think of how balance can be used outside of the obvious "objects are nicely side-by-side" use of this technique?

The lighting often appears to come from spotlights shining on the action while other areas disappear into unlit shadows. The technique is said to achieve a heightened dramatization or greater truth-to-life. It is often reserved for pivotal scenes expressing key philosophical questions of good and evil, life and death.

Rembrandt lighting is lighting that is intentionally creates contrasts of light and dark. High contrast lighting or chiaroscuro was developed by the Italian painter Caravaggio, as seen here:

This technique emphasizes:

  • Light vs. Dark
  • Intentional contrasts
  • Drive emotion
  • Dramatic effects
  • Used in doses

As seen in the Layer Cake clip


Genres that tend to use Rembrandt Lighting:

  • Film Noir / Crime dramas
  • Dramatic romances
  • Suspense thrillers
  • Horror
Examples in class 5-photo stories

As seen in KateMarieWilson's The Break In (photos 1-4)

Effectively builds drama and suspense and provides extreme contrast to the last frame when the light is turned on.

As seen in Brook DiDonato's Mom (photos 2-5)

Conveys dramatic mood and somber tone.



Class Discussion:

When should this technique not be used?

A point-of-view (POV) shot is intended to represent the subjective view of a specific character. The camera lens is physically placed at the eye level of the character whose point-of-view we are seeing. In this way the audience sees what the character sees.

This technique is used to convey:

  • Feeling the emotion of the intended character
  • Bringing you down to their level
  • You "become" the character through perspective.
  • You are the one experiencing / immersed in the action.
  • Extreme POV shots mostly used in "doses".

As seen in the Layer Cake clip

Your perspective is that of the man being assaulted.

Genres that tend to use POV:

All of them. POV is a universal element native to all genres depending on the director's motive to involve the viewer with the subject's perspective.

Examples in class 5-photo stories

As seen in illinijonesey's Running With Scissors (photos 1-3)

The POV of the viewer is that of a common activity: running. The viewer is connected to the activity more deeply by essentially "being" the runner.

A seen in jason.grodsky's Tattoo (photos 1-2)

The viewer is given the personal perspective of the creative process in frames 1 & 2.



Class Discussion:

Point-of-View shots seem to rarely be used for villains or antagonists in stories, like it is in the Layer Cake clip. How does point-of-view translate into narrative text? Can one use words to fully describe the point-of-view of a subject and do it with just as much emotional effectiveness?

Additional Cinematic Techniques: Definitions & Examples

 

Disrupted Match-Cut Example

A disrupted match-cut occurs when two matched images are separated by a single shot.

Interestingly, little associative power is lost by the middle shot. When the images of the outer shots visually rhyme, the audience will continue to forge a link between the two.

This technique conveys:

  • power
  • merging a story with separate images
  • offers continuity
  • used for reactions occasionally
  • gives characters power between different frames
  • offers drama

 

Intercutting Example

Intercutting (also called cross-cutting) occurs when two scenes are shot in sequence, but presented by cutting back and forth between them. This creates a sense of two actions occurring simultaneously in two different locations. Frequently intercutting is used leading up to the climax scene in Act Three.

This technique can convey

  • two actions happening at once
  • provide rising action leading up to scene climax
  • adds dramatic value: emphasizes message that is being driven

Y-Axis

The Y-axis is the line that travels from the bottom in the frame along the north-south axis.

Wide Angle

One of the qualities of a wide-angle lens is its ability to deliver great depth-of-field to an image. This means that objects in the foreground, middleground and background can be in focus simultaneously. This enables action to be staged in-depth.

  • Dramatic angles
  • Extreme perspectives
  • Urgency or beauty
  • Ex. Robbery, Westerns, Gangsters

Z-Axis

The Z-axis is the line that runs from foreground to background. It’s what carries the illusion of depth. Technically, depth-of-field refers to the distance along the Z-axis that is in focus, or focal length.

Z-Axis technique provides:

  • Illusion
  • Depth
  • Shows the other people involved

 


Visual Match Cut

A “cut on idea” is when two shots are cut together and, by their juxtaposition, a third idea is suggested.

  • Same positions
  • Both ironic
  • Both suffering same fate
  • Relatable

Contrast of Wardrobe

Wardrobe can show similarity, contrast, irony, discomfort, poverty, or wealth.

  • Relatable
  • Different class

In this example, a contrast of wardrobe was used to differentiate the gangsters.



Close Up (CU)

A standard close-up includes the head and shoulders of the subject. A “close shot” may refer to a person or object, whereas a “close-up” usually refers to a person.

Conveys:

  • Intensity
  • Emotional
  • Desperate

Extreme Close Up (ECU)

An extreme close-up or ECU is tighter shot filming only the eyes or lips, for example. A close-up shot can be achieved by any lens, wide, normal, or telephoto. Dramatically, an ECU can draw attention to the object by making it larger than life.

Conveys:

  • Extremely desperate
  • Meant to drive emotion or feeling

 


Low-Angle

A low-angle shot occurs when the camera is placed below the subject and the camera is pointing up. This causes the subject to appear larger-than-life. It transfers power to the subject, making it appear to dominate objects beneath it.

Conveys (specifically in the agressor):

  • Power
  • Domination
  • Larger than life
  • Intensity
  • Emotional



Props (Externalized Character)

Purposely selecting and exploiting props can give a scene an added layer of meaning. A single prop can translate the personality of its protagonist.

Props can convey:

  • Intentional objects that drive the scene
  • Double meaning to the scene
  • Symbolism

-- The haggard man is reflected in his messy breakfast

-- The angry man is reflected in the boiling tea.



Location as Theme

A well-crafted film uses everything to contribute to the story. Location is no exception.

In the clip we see the juxtaposition between the public cafe and private construction site – both of which are scenes of violent crimes, showing that the underworld antagonists do not discriminate. Violence is everywhere.

Location can convey:

  • Class status
  • Relation
  • High Vs. Low
  • Everyday life



Pull-Out

A pull-out occurs when the camera is seated on a dolly and pulls away from an object. This causes the view to widen.

Pull-Out, Push-Out, Pull-Back, or Widen-Out are often used interchangeably.

The Pull-back conveys:

  • Emotionality
  • Description that is revealed to the viewer as the motion of the camera allows - and at a given speed.


Lyrics as Narrator

The lyrics of a song can act as the voice of a character. They can reveal the inner thoughts in a way that can be more interesting than a simple “talking heads” scene. Lyrics can also be used as the voice of a narrator. Lyrics add another delivery system with which to parcel our character and thematic information.

In Layer Cake, the lyrics to Duran Duran’s song Ordinary World speak for Morty’s inner character as he confronts the man who denied him a decade of his life until his release from prison.

  • Auditory suggestions for story
  • Theme or Genre of music can suggest other tonal or story twists and turns

Not applicable to the 5-Photo Story


Audio Bridge

The music also acts as an audio bridge between the violent café scene and the outdoor shootout that happens with another set of criminals.

The effect is that these two scenes are paralleled with music and gives the feel that they are happening at the same time and for similar reasons.

This technique often offers a familiar aspect to multiple scenes, like you have seen this before, or you know its happening to the other character.

This technique can:

  • Offer Connections
  • Ties together story lines
  • Connects two periods of time, can often be used to signify a passage of time

Not applicable to the 5-Photo Story


Symbolic Use of Music

The music serves as a turning point for the character Morty.

This technique has auditory affordances:

  • Turning point
  • Offers inside information to the characters traits or behaviors
  • An insider perspective of the internal display that is happening.

Not applicable to the 5-Photo Story


Circular

Circular motion is an effect that can be created with a hand-held camera, Steadicam, or tracks.

This technique is used to convey:

  • Action
  • Confusion
  • Vertigo
  • Panic
  • Foreshadows conspiracy

Not applicable to the 5-Photo Story


Tracking Shot Example

Technically, a tracking shot occurs when the camera is mounted on a dolly and glides along tracks. This allows the camera to move smoothly along a fixed path. Much like train tracks, the camera tracks can form a linear or curved pattern.

This technique can:

  • Emphasize a prop
  • Emphasize emotion
  • Captures a two person relationship (gives a over the shoulder perspective)
  • Suggests character traits

Not applicable to the 5-Photo Story

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